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The 2024 T-Dub Awards

by TYLER WILSON/Coeur Voice contributor
| January 4, 2025 1:00 AM

Don’t listen to the Golden Globes, ignore the American Film Institute and forget about the Academy Awards.

The only essential movie awards come courtesy of the Coeur d’Alene Press. The annual T-Dub Awards are here to celebrate the movies of 2024.

Scene of the year: Demi Moore prepares for a date, “The Substance”

Just give him the Oscar already: Ralph Fiennes, “Conclave”

Just give her the Oscar already: Mikey Madison, “Anora”

The "She can do everything" award: Lupita Nyong’o, “A Quiet Place: Day One”

Best performance that changed my mind about someone: Ariana Grande, “Wicked”

The "Deserves more leading roles” award: Natasha Lyonne, “His Three Daughters”

Best performance by an animal: Pick a beaver from “Hundreds of Beavers”

Best first impression: Vera Drew, “The People’s Joker”

The "Should have been a major theatrical release” award: Clint Eastwood’s “Juror No. 2”

Funniest Movie: “Hundreds of Beavers”

Best blockbuster: “Dune: Part 2”

Worst blockbuster: “Argyle”

The “Just stop it already” award: “Ghostbusters: Frozen Empire”

Worst movie: “Lift”

The “Get what you deserve” award: The box office tanking of “Joker: Folie a Deux”

So bad it’s actually hilarious: “Madame Web”

Best cameo: Wesley Snipes, Jennifer Garner and Channing Tatum, “Deadpool & Wolverine”

Worst cameo: A CGI Ian Holm in “Alien: Romulus”

The “Doesn’t need dialogue to be great” award: “Flow”

Best musical moment: “Defying Gravity” in “Wicked”

Best needle drop: Pick one from “Kneecap”

Scariest villain: Jesse Plemons, “Civil War”

Likeable villain, despite the, uh, villainy: Jason Bateman, “Carry-On”

The “Should do more villain work” award: Hugh Grant, “Heretic”

Least convincing villain performance: Conor McGregor, “Road House”

Fine for a fourth sequel: “Kung Fu Panda 4”

The “Bad special effects will ruin your movie” award: “Red One”

Best title: “Hot Frosty”

Better than Hallmark: “Christmas Eve in Miller’s Point”

Best movie I’ll never watch again: “Tuesday”

The “People will do insane things for love” award: “Love Lies Bleeding”

The "Your movie would still suck even if you had good visual effects” award: “Damsel” 

The “Anna Kendrick deserved more praise for making a solid directorial debut” award: “Woman of the Hour”

Best fight: Ani vs. the henchmen, “Anora”

Best car chase: The centerpiece chase in “Furiosa: A Mad Max Saga”

Best performance in a mediocre movie: Karla Sofia Gascon and Zoe Saldana, “Emilia Perez”

Too many twists: “It’s What’s Inside”

Underrated performance: Justice Smith, “I Saw the TV Glow”

The “I’ve lost my patience for this” award: Kevin Smith’s latest film, “The 4:30 Movie”

Best ensemble cast: “Saturday Night”

Best breakout performance: Clarence Maclin, “Sing Sing”

The cast makes the movie: “The Bikeriders”

The “Makes it look easy” award: Angelina Jolie, “Maria”

Best scenery chewing: Denzel Washington, “Gladiator II”

Scene stealer: Willem Dafoe, “Nosferatu”

The "Be careful how you recommend it" award: “The Substance”

The “She deserves to be a bigger star” award: Adria Arjona, “Hit Man”

The "Wait … those aren’t real talking apes?" award: “Kingdom of the Planet of the Apes” 

The "Glad I stayed out of the political debate" award: “The Apprentice”

The “Makes everything better” award: Samuel L. Jackson, “The Piano Lesson”

Best chemistry: Glen Powell and Adria Arjona, “Hit Man”

Best one-two punch: Jesse Eisenberg and Kieran Culkin, “A Real Pain”

Best-looking movie: “Nosferatu”

Most devastating inversion of expectations: The final 20 minutes after the father-daughter dance in the documentary “Daughters”

Ickiest imagery: Final sequence in “The Substance”

Best production/set design: “Wicked”

Best unexpected action star: June Squibb, “Thelma”

Best comfort food: “The Fall Guy”

The “Nicolas Cage still rules in good movies” award: “Longlegs”

The "Even I don’t have time to watch EVERY Nicolas Cage movie” award: “Arcadian”

Go ahead and keep making them every couple years: “Bad Boys: Ride or Die”

The "Adam Sandler made another forgettable Netflix movie" award: “Spaceman”

The "I can’t be bothered to watch these mega-budget streaming movies” award: Tie: “Wolfs” on Apple TV and whatever movie Zack Snyder made for Netflix this year.

Best use of limited time: John Turturro, “The Room Next Door”

Best commitment to the bit: Maintaining the “broadcast” style in “Late Night with the Devil”

Movie most fitting for a streaming service: The Lindsay Lohan holiday film “Our Little Secret” on Netflix

Most baffling decision: Turning “Horizon: An American Saga” into a movie series

An OK nostalgia trip: “Beetlejuice, Beetlejuice”

All the tears: Taking flight in “The Wild Robot”

Favorite movie other people think is just fine/bad: “Monkey Man”

The “It’s fine, I guess” award: “Challengers”

The “Stop telling me it’s good” award: “The First Omen”

The “What were they thinking?” award: “Joker: Folie a Deux”

Movie most likely to cause a panic attack: “Civil War”

Most enjoyable relic from the '90s: The disaster movie throwback/reboot “Twisters”

Best road trip: “Will and Harper”

Most traditionally powerful climax: “Memoir of a Snail”

Most surprisingly powerful climax: “Anora”

Too much climax: “Godzilla x Kong: The New Empire”

Better than it had any right to be: “Mean Girls: The Musical”

Best slow burn: “The Brutalist”

Best confrontation: Aaron Pierre and Don Johnson, “Rebel Ridge”

Best animated film: Tie: “Memoir of a Snail” and “The Wild Robot”

I can’t believe I actually watched: The DOA comedy “Ricky Stanicky”

Best vocal performance in an animated film: Maya Hawke, “Inside Out 2”

The “I played solitaire on my phone for the entire run time” award: “Dear Santa”

Best Hitchcockian riff: M. Night Shyamalan’s “Trap”

Best Shyamalan riff: “Caddo Lake”

Best use of a big budget: “Dune: Part 2”

Best use of a small budget: “The Brutalist”

Best use of a tiny budget: “Hundreds of Beavers”

Movie your dad will like: “A Complete Unknown”

Best horror movie that’s not a horror movie: “I Saw the TV Glow”

The “It’s totally fine!” award: “Deadpool and Wolverine”

More than just OK: “Am I OK?”

The “Big swing and miss” award: “MaXXXine”

Wasted cast: “Unfrosted”

The “I can’t believe I still haven’t seen” award: “It Ends with Us”

Underrated: “Exhibiting Forgiveness”

Messy but points for trying: “Sasquatch Sunset”

The “Wish I could see it before I make a ‘Best of’ list” award: “Nickel Boys”

The “At least it was only 90 minutes” award: “Despicable Me 4”

Not as good as a “Princess Switch” movie: “Meet Me Next Christmas”

The “I forgot about it five minutes after seeing it” award: “Beverly Hills Cop: Axel F”

Most pleasant surprise: “A Different Man”

Strangest relic of 2024: “Drive-Away Dolls”

Biggest hype for a forgettable movie: “Moana 2”

Biggest guilty pleasure: “Twisters”

And … my kids’ favorite movie of 2024: “The Wild Robot”

•••

Tyler Wilson can be reached at twilson@cdapress.com.

    This image released by Focus Features shows Willem Dafoe, left, and Lily-Rose Depp in a scene from "Nosferatu."
 
 
    This image released by Netflix shows, from left, Jim Gaffigan, Jerry Seinfeld, Fred Armisen, seated, and Melissa McCarthy in a scene from "Unfrosted."
 
 
    This image released by Universal Pictures shows Roz, voiced by Lupita N'yongo, background, and Brightbill, voiced by Kit Connor, in a scene from DreamWorks Animation's "Wild Robot."